It’s a missed opportunity to help us understand her beyond her public persona. Review: Honest Thief Is a Dried-Out Rehash of the Liam Neeson Actioner. romance , drama. In Theaters: Jan 17, 2014 Limited. Sitting side by side, the wind in their center-parted hair, Vikander-as-Steinem laments to Moore-as-Steinem that she wishes she’d spoken up and fought back more when male colleagues and editors discouraged, objectified harassed her. It takes less than a minute into The Glorias, the director Julie Taymor’s shallow biopic of the feminist icon Gloria Steinem, to realize something is off. Directed By: Sebastián Lelio. There is vast material for an exploration of shifting American womanhood and the contradictions of activism within and outside of institutions. The cinematography from the great Rodrigo Prieto (who also shot Taymor’s “Frida”) gives each of these eras a lush and distinctive texture, and the use of stark black and white provides a striking contrast as the various Glorias chat on the bus. Gloria, "Gloria"—hallelujah! Gloria Steinem has lived such a long and significant life that it takes four actresses to play her—including two Oscar winners—in “The Glorias.” That device of having multiple performers portray the veteran journalist and activist, and sometimes even having them engage in conversations with each other, is the most effective element of director Julie Taymor’s effort to encompass a whole, complicated life while also avoiding traditional biopic tropes. The film is linear in that we go from young Gloria to contemporary Gloria, and yet there’s so much jumbling around in the first hour that it weakens the emotional impact of just about everything. Another film might have mined Steinem’s remarkable life for its complications and contradictions, but The Glorias settles for slapdash iconography – Steinem picks out her signature aviators because as a saleswoman laments they “hide your beautiful face”, and declares “Martin Luther King is leading his civil rights march on Washington. The movie adheres to that road, but makes it way more of an uphill climb. Though lonely, she makes the best of her situation and … At the center is Steinem—still with us and still fighting at age 86. A topic that crops up throughout the movie is Steinem’s choice to remain single at a time when women were expected to get married and have children. Four iterations of Steinem at different ages – child (Ryan Kiera Armstrong), teen (Lulu Wilson), young woman (Alicia Vikander), and middle-aged (Julianne Moore) – sit on an old Greyhound bus going … somewhere, each shaded a strange and uncomfortably wan gray against the colorful scenery out the window. Internationalen Filmfestspiele von Berlin mit dem Silbernen Bären für die beste Darstellerin ausgezeichnet. It’s a personal decision. But Alicia Vikander meets and exceeds her own challenges as a younger Steinem, from her time at Smith College through her travels in India and her groundbreaking, undercover Playboy Bunny article, which put her on the map in 1963. Black feminist leaders such as Dorothy Pitman Hughes (Janelle Monáe) and Flo Kennedy (Lorraine Toussaint), labor rights leader Dolores Huerta (Monica Sanchez), and Native American activist and real-life best friend Wilma Mankiller (Kimberly Guerrero) serve merely as imparters of wisdom quickly huddled under Steinem’s star power rather than complicating, sparring minds of their own. t takes less than a minute into The Glorias, the director Julie Taymor’s shallow biopic of the feminist icon Gloria Steinem, to realize something is off. Music. The costumes are also key to the portrayal of other larger-than-life feminist figures including Bette Midler as former Congresswoman Bella Abzug, Lorraine Toussaint as lawyer Flo Kennedy and Janelle Monáe as Ms. Magazine co-founder Dorothy Pitman Hughes. Film Reviews . Gloria: Thriller 1998 von Lee Rich/Gary Foster mit Sharon Stone/George C. Scott/Bonnie Bedelia. Just when you think she’s heading into cliched territory, Taymor mixes it up, plays with structure, and subverts your expectations. It’s such a relief when Moore finally takes the reins from Vikander, but the film still struggles to maintain its tone. The Glorias Director: Julie Taymor Page Fifty-Four Pictures Streaming on Video on Demand and Amazon Prime: 09.30. And the clothes from legendary costume designer Sandy Powell are, as always, to die for; far more than an elaborate and groovy game of dress-up, Steinem’s clothes tell a story all their own in signaling her development, from the slim minidresses she wore as an ambitious young journalist to what became her go-to uniform of a black, long-sleeved top, black pants and boots. A director needs a gimmick like a fish needs a bicycle. The pain from this period occasionally leaks into an overlong stretch of time in which a miscast Vikander plays Steinem as a recent college graduate in India and later intrepid young writer in New York with a jarringly bad attempt at Steinem’s midwestern accent, flat but with none of the heartiness. The elder Steinem reassures her that she will eventually: “Plenty of times, lots of times, speaking your mind will get you into trouble,” she tells her younger self with an amused smile at the memory of her own feistiness. Four iterations of Steinem at different ages – child (Ryan Kiera Armstrong), teen (Lulu Wilson), young woman (Alicia Vikander), and middle-aged (Julianne Moore) – sit on an old Greyhound bus going … somewhere, each shaded a strange and uncomfortably wan gray against the colorful scenery out the window. Julianne Moore gets the bulk of the screen time as Steinem from her Ms. Magazine years and beyond, and radiates both indignant idealism and world-weary wisdom. Review: Gloria. The Glorias’ conversations on a bus ride that serves as the film’s through-line illuminate this arc further. But the film quickly skims past one key chance to shed more light on her personal life. Christy Lemire is a co-host of the YouTube film review show "What the Flick?!" All four versions of Steinem commingle, in that uncomfortable black and white, on the bus to nowhere, for grimace-inducing scenes which serve to make broad thematic statements. The 75 Best Horror Movies of the 21st Century . In … Gloria ist ein Drama aus dem Jahr 2013 von Sebastián Lelio mit Paulina García, Sergio Hernández und Coca Guazzini.. Im chilenischen Drama Gloria … But Steinem’s mother also had been a promising journalist—albeit under a male pseudonym, an unfortunate necessity back then—which lays the groundwork for her own path. Director: Sebastian Lelio (La Sagrada Familia, Christmas, El Ano del Tigre) Cast: Paulina Garcia, Sergio Hernandez, Diego Fontecilla . Why edit half the scene in color, half in black and white, like the early iPhoto effects of the mid-2000s? Sie war in den 1940er Jahren künstlerisch und in den 1950er Jahren wirtschaftlich die grösste Konkurrentin der Praesens-Film. ‘The Glorias’: Film Review Reviewed at Sundance Film Festival, Jan. 26, 2020. It gives meaning to an entire project, an entire life, in the fact of deeper, darker adversity in the days ahead. It’s also enlightening, on the heels of the excellent Hulu series “Mrs. Moore plays some of the feminist movement’s greatest iconographic hits – the 1977 National Women’s Conference, the first issue of Ms Magazine – as the fully grown Steinem. Most insidiously, it recasts Steinem’s hard-won political evolution into a hero’s journey of magical discoveries, in which she absorbs an intersectional approach through boldly stated themes said by people of color, then exhibits her exceptionalism by merely listening. It elevates your mood to such a point that you wish you could hug the screen out of sheer joy and recognition. Divorced, Mature & Looking for Love. Even though Gloria sees the "handwriting on the wall" she has to decide whether she will succumb to this hurtful environment or return to her lonely existence. I thought this movie, directed and co-written ( with Gonzalo Maza) by Chilean filmmaker Sebastian Lelio, lost its' way at times and became difficult to watch. Gloria ein Film von Sidney Lumet mit Bobby Cannavale, Sarita Choudhury. Melbourne based cinephile. Also, I thought the explicit sex scenes and graphic nudity seemed to be more often … The Glorias review – Gloria Steinem biopic is a laughably shoddy mess. by Richard Leathem . Gloria ein Film von Sebastián Lelio mit Paulina García, Sergio Hernandez. The nowhere bus, ultimately, colors in with a sea of pink “pussy’ hats and the real Steinem, en route to the 2017 Women’s March in Washington – a genuinely inspiring show of feminist activism whose many rough edges and various hues are, like Steinem’s biography in The Glorias, leached of their power in favor of an easy story. The lost opportunity is highlighted by Mrs America, a show released earlier this year, which reanimates the feminism culture wars of the 1970s with nuance. It’s a gimmick, sure, but also an insightful depiction of the kind of talk we all wish we could have with ourselves in our teens and 20s. Working from a script she co-wrote with Sarah Ruhl, based on Steinem’s autobiography My Life on the Road, Taymor hops around in time between Steinem’s youth in Toledo, Ohio and her worldwide travels in her 20s through the beginnings of her writing career and her key role in the women’s liberation movement of the 1960s and ‘70s. But at nearly 2 ½ hours, “The Glorias” does feel a touch too long toward the end. Film. Sitting side by side, the wind in their center-parted hair, Vikander-as-Steinem laments to Moore-as-Steinem that she wishes she’d spoken up and fought back more when male colleagues and editors discouraged, objectified harassed her. A review of The Glorias, a Gloria Steinem biopic in which Julianne Moore and Alicia Vikander are among the multiple actors who play the feminist icon. There doesn’t seem to be a reason other than to gesture at depth – one of many baffling artistic choices that turn a nearly two-and-a-half-hour film on what should be a fascinating, mettlesome, complicated character study into an uneven, trite and at times laughably shoddy mess. Sebastián Lelio's tale of a divorcee in a new relationship perhaps has a wider resonance for Chile's Pinochet generation Its script is simple yet subversive, eventually creating an impact on the viewer that will have them thinking long after the credits roll. Read her answers to our Movie Love Questionnaire here. Published February 23rd 2014. The Glorias, by contrast, glosses over the intense and generative intersectional conflicts within the feminist movement in favor of an inhumanly rosy fantasy: a collection of diverse women standing around a table, laughing and agreeing with one another. Steinem’s long life and career (she is now 86 years old) as a journalist, second-wave feminist leader and the co-founder of Ms Magazine in 1972 has been trailblazing and often heroic, if not immune to critique. Gloria – review 4 / 5 stars 4 out of 5 stars. Gloria - Film Review Home > Everywhere > Cinema | Film Reviews | Movie Reviews. It’s a shame, because the bantering of The Glorias has at its core a worthwhile message: that a woman can grow into owning her choices, and can synthesize her personal experiences into a coherent, expansive political philosophy. Streaming: Nov 15, 2015. (CNN)Multiple actresses play Gloria Steinem at different ages in "The Glorias," a more conventional version of the device used in the Bob Dylan biography "I'm … Ryan Kiera Armstrong And the visual tricks Taymor employs to reflect Steinem’s inner state seem like filler, a distraction, even though they’re the kind of inventive flights of fancy the director has become known for through productions like her Broadway staging of “The Lion King” and films including “Across the Universe” and “The Tempest.” A contentious TV interview that turns into a whirling, swirling, “Wizard of Oz” homage is especially out of place. Some of the VFX … What’s elegant and efficient in the storytelling of “The Glorias” is the way it reveals how each person and experience throughout her life shaped her ideology and sense of purpose. America,” to revisit this tumultuous era from Steinem’s perspective. Before that, we see little Gloria (Ryan Kiera Armstrong), an energetic girl who worshipped her struggling entrepreneur dad (a charismatic Timothy Hutton), and teenage Gloria (Lulu Wilson), who learned how to fight for others by caring for her physically and mentally ailing mother (Enid Graham). Interview: Garrett Bradley on Exploring Human Dimensionality in Time. There doesn’t seem to be a reason other than to gesture at depth – one of many baffling artistic choices that turn a nearly two-and-a-half-hour film on what should be a fascinating, mettlesome, complicated character study into an uneven, trite and at times laughably shoddy mess. You can find Christy's writing at ChristyLemire.com. Gloria sets an example for films named after its main character, since its effectiveness completely hinges on Paulina García’s performance as the titular female, which she aces. When she finally does get married at 66, it feels like an afterthought: Who is this person who dazzled her so thoroughly that she changed her mind on such a crucial stance? The Chilean … Specifically, we see men ask her why she isn’t married in a series of interviews; naturally, she bristles. Production: A Page Fifty-Four Pictures production. The Glorias’ main conceit of multiple Steinems feels, by contrast, like a shallow gimmick whose potential is squandered by bizarre directing choices – one scene that commutes anger into a red-hued, poorly executed Wizard of Oz tornado dream sequence made me cackle out loud. The conceit of a character communing with her past ghosts is not an inherently cringey one – HBO’s The Tale successfully provoked unsettling admissions of complicity and the revisions of memory by pitting different-aged versions of its main character against herself. There is that feeling you get inside when a movie suddenly starts to push your every button, creating an emotional connection that goes beyond pure reason and mere emotion. (Steinem was married to David Bale, entrepreneur and environmental activist and the father of Christian Bale, from 2000 until his death in 2003.) As a teenager, Steinem cares for her mother (Enid Graham), an invalid struggling with mental illness, in Toledo, Ohio, after Leo abandons the family for the open road. She's terrific, and manages to convey both a genuine sense of intuition and a vivacious sense of loving life at the same time. Gloria ist eine chilenische Tragikomödie des Regisseurs Sebastián Lelio mit Paulina García in der Hauptrolle. Gloria movie reviews & Metacritic score: Gloria is a "woman of a certain age" but still feels young. Gloria is a divorced woman in her late fifties who still enjoys the active aspects of life and who find companionship, love even, in the 65-years-old Rodolfo. Mrs America’s Steinem, played guilelessly by Rose Byrne, falters in judgment, grapples with her notoriety and instinctive press magnetism, and learns from the thorny gaps between the utopian vision of Ms Magazine and its actual environment for black and queer editors. For the most part, she’s successful. Der Film zeigt den Umgang geschiedener Menschen mit der Liebe an der Grenze zum Alter. That’s a good faith reading of a project that I would like to believe was intended to do more than just lionize its star by sanding down her real, human complications. R , 1h 49m. Still, “The Glorias” is consistently a visual treat, as you’d expect from Taymor. In the Chilean film “Gloria,” directed by Sebastián Lelio, a heroine in her late 50s embraces passion and romance. And while there’s a continuity to the performances—the hair, the voice, those signature, oversized aviator glasses—each actress imbues her role with a specific vibe and edge as Steinem evolves. 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